Tag Archives: balance

Autumn Arrived

Here, where I live, summer turned to fall overnight. I was awake unable to sleep when it happened: a definite moment, an unargued exchange of places, as seasons seemed to acknowledge each other, passing along the ever-watchful trail of time.

The first noticeable change was the air. I felt the settling in cozy shelter of a darker sort of darkness than the summer has, even in a mild season climate like this one. As a child I always referred to it as “fallfire and rain.” I knew it was autumn when the air began to take on a crisp, sharp scent of burning wood, regardless of whether there was a flame. The fire was in the reds of the crackling leaves, which kept their hint of scented green just below the brown smell of dust and dirt.

Growing up, I would wake on some day each year to find my room smelled of fallfire and rain. And so it was last night. The density of air around me shifted, and the smell filled my room suddenly and subtly. It carried with it a spacious, penumbral promise of possibility. Its mysterious potential, harbinger of shadows and the hidden light within them, covered me in soft safety.

For a moment, I wondered whether now I knew what the clay earth must feel, as it tucks itself in with a blanket of leaves. In sleeplessness, I began to imagine the rain that I hoped would follow, the drum of droplets on building and tree, dripping into many grateful leafy hands, oval palmed, stretched out for more, trickling near street curbs, dancing across the dried, dehydrated land.

I felt this morning how the new season already held its own; and sure enough, there was the rain, sprinkling cautiously at first, then coming down with greater commitment and resolve. It just needed to gather momentum and support from the clouds, which it had, at least for some hours.

The balance of light and dark has tipped again, sifting softly away from the vibrancy of the sun to a more quiet, subdued, peaceful muted light given off by changes and their reflection of a deep abiding silence just below the surface of daily activity. The spontaneous shouts of summer echo in the welcoming emptiness, already enfolding us in a vast expectant stillness, and the earth’s eyes turn inward, just waiting for the landscape and the hearts of the living to hush, enough that we might hear in the distance the dreams of the winter to come.

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The Morrigan

Waiting, watchful
Beady eyes,
Cold, coal crow,
Follows me.

Harsh her piercing
Grating cries
Cah, cah, calling me
I run, terrified to turn, to see.

But it is time
For battles to be won,
Reclaim the sovereignty that’s mine,
Declare independence … my own.

Red veils fall
On stark terrain,
The stretching past
The road before,

Survey the ground,
Bide your hours,
Face it head-on, don’t back down
Fight for all you’re worth.

She will lead you where you’re bound.
Demand what’s yours,
And then break free.
The other side to our path. you see,

To shine, star bright, across the sky,
You must not be afraid to burn.
Strike a kindling of flame, the old to die:
In time, this balance, you will learn.

Waiting, watchful
Beady eyes
Cold, coal crow
Follows me.

Harsh her piercing
Grating cries
Cah, cah, calling me
When I turn around, what will happen? I wait to see.

An Ordinary Day _ When Two Worlds Meet: Part 10

December 13, 2013

I’m getting ready to start my day, listening to Pandora. Suddenly, Máire Brennan’s song, Land of Youth, starts playing. It is the song recounting the tale of Oisín in Tír na Nóg. I have just been thinking about Oisín, and his own song, the one he wrote for me. For some reason I take the arrival of the song to indicate that I should be expecting Oisín, so I walk about and look for him. I cannot see anyone or anything beyond five feet or so. For this reason I wander around the living room, to make sure I don’t miss seeing him, should he appear.

Silently, he walks to where I am standing. There is only a need for silence. Wordlessly, we share moments almost as though I am a child. As though, perhaps, I am his child’s child’s child… and, how far would that go, I wonder.

He is half a chest and a full head taller than I am, Oisín is, with long curly blond hair and clear bluish hazel eyes. I am gazing up at him, as he towers over me. He greets me with the gesture that to those in the otherworld means both hello, welcome, acknowledgment, and the recognition of who a person is. In the otherworld, you can understand everything about who a person is once you know that you don’t have to put up defenses.

I can’t read Oisín’s facial expression, in part because his face is a good 8 inches above my head. Yet I know it is stern and weather worn, somber, kind. I can only picture a “generic face template” for anyone, embodied or otherwise, so I’m simply told the extra information which I appreciate especially as I never get a chance to know things like this of people in this world.

We stand speaking wordlessly about the far and the near, about the vast and the insignificant, there in the middle of the living room. Alllegro sits a few paces away, intently surveying us quietly and I notice that he’s not shoving a hedgehog at either of us.

I ask questions but there are no answers. Questions like Why? And How? And What was it like when? And I know that now, being as he is in another world, his eternal address is from nowhere.

And as we stand side by side, I understand what must be done: its just to be. Be and go on being. Doing what I am already beginning. Be fully here now, share all I can.

And so I thank him for the song. I gesture as if I could take his hand and tell him how much his words mean to me, though there are no words for this. I ask how he’d like to handle the fact that he wrote the song, but I wrote it down, because of course, I will always be honest and give him the credit in a world that will not accept what happened.

He gestures to put the song into my hands and I protest that it isn’t right, but he insists it is what must be when someone is already not of this world.

Suddenly a commercial careens through the room with its loud incantations of Black Friday sales and Christmas gifts. I am almost certain that Oisín will disappear at this point. I know he doesn’t like commercialism, and is suspicious of modern technology, recognizing it is only helpful as most things are, in balance with the rest of living. Now, I think I’ve been hoping to never see what Oisín or Caoilte or anyone else looks like when angry. But I suppose I have known that I would find out sooner or later. Oisín isn’t angry at me, he’s angry at the hollow meaninglessness surrounding our culture’s obsession with stuff, material substitutes for real connection, and all the falsehoods such a way of life continues. I know this as it is quite easy to read each others’ thoughts.

Anyway, when he is angry Oisín is even more formidable and fierce looking than usual. I realize I have already moved a bit out of the way, but Oisín sees this and puts a light around us. I look up at him expectantly, willing to begin to learn that anger is a regular human emotion and doesn’t have to indicate either that something is wrong with me or be about me at all. It doesn’t have to mean, as it did with my ex partner, that a person will lose control and lash out at anyone in line of fire. Some people like Oisín know how to express emotion while directing it appropriately. That is new to me. Then his anger shifts into sadness.

If he were an embodied person he would sit me down and have the “back when I was young” conversation that my grandpa had with me yesterday and elders always need to have because the world has changed so much, usually for the better but not always.

And then, noticing the sympathy flickering in my eyes, he smiles. He says, “I don’t understand this tradition of your time: indiscriminately blasting messages of little intrinsic point and specious importance at anyone who happens to hear, into houses and around neighborhoods, all in order to further convince people of a ubiquitous deception. There is obviously a great deal of competition involved, but no honor in it. It’s tragic to see and hear about such wanting for the sake of wanting. Why? So much stuff, the majority of it unneeded, vies for the giving of attention to the wrong sort of value and meaning. This is profoundly wasteful and does not forge good character in people.”

I have to agree. Though I appreciate getting material gifts from people, I know our culture takes it out of hand beyond what is healthy or balanced.

Before he leaves, Oisín draws a time line in the air. I stare at it intrigued. Through it he draws an x. I don’t get it. I draw a blank and show him a picture of both of us drawing but not understanding each other.

And then he gives me another picture, one that unfolds that I can read. Change has no schedule to keep. Friendship is not a sequence of events. Living is not a series of completed finish lines. And there is no reward system for waking up in the morning. There is no answer to the question: Am I doing all I can do? Even if I ask the question a hundred times a day, and I do. There is only doing.

Some day a long long time from now, more than sixty years from now, once I cross that bridge that we all will cross, I will sit down with him for hours and we will wonder at each other’s beginnings. We will marvel at how we could be friends, even while belonging as we do to two different worlds. There is no reason to let a simple detail like that put limits on what is already boundless and knows no turns or edges. Of that we are both in agreement. We smile at each other and make the sign for parting before he disappears, and then I go about dropping some airborne into a glass of water and take Allegro downstairs and eat breakfast.

And at the moment there are two or three otherworld people fascinated by what I’m writing and are walking around. I don’t recognize them but they look curious—as in full of curiosity—and seem fine. I keep a pretty good lookout here because since I offered my place for the fianna to come through on the way to other things (surely not thinking through how many of them there are!) I have seen many many more people than usual, some quite modern which means despite my intentions many many otherworld beings can come through here, and not just the ones I intended. This could turn out to be more of a problem than I want to admit.

Sometimes I create a circle so I don’t have anyone coming through, but if not I watch and make sure these are genuinely good people because after all as an embodied person this is my space and I have the first say on boundary creating. Well, and I also have places at my house that no otherworld people are allowed and time limits because they have no concept of time and might, and did, come through at three in the morning with very important lyrics to songs to write down. I mean, I appreciated the lyrics, but not being up at that hour.

So begins my ordinary Monday morning. Well, at least it has become quite ordinary.

The Vision at the Restaurant Table

It was the summer of 2011, and the girl had just had enough. She’d been dealing with inaccessible websites, prejudice from professors, anger, so much anger. Like its own creature, alive in itself, rage, rage against the night
shout and scream, become a child again in the worst, worst way.

The girl’s dad told her to just let go, forget about it. But the girl struggles, thinking: but aren’t we here to change the world, But aren’t we here to end this suffering, but aren’t we here? The girl, so here, so agonizingly here, the anger creature within herself with nowhere to go, pounding the cage of her own ribs, cannot be reasoned with, has been ignored for so long.

She tells herself, be sensible, be calm, be strategic, rise above it, be wise. But stronger in her is The conviction that it might all be nonsense and for nothing: look away, look away…

Later that night, the girl goes out to eat, and walks into the restaurant, sitting down at the table her father reserved, trying to enjoy the music with the bird in it. The dad asks, “hear the bird?” And the girl hears the bird, but the fog she’s in makes everything so far away.

The girl thinks, oh no, I made some terrible, terrible mistake, not good not good, why didn’t I listen, why didn’t I know what I already know? She is haunted by the old specs of memories of a loved one.

And then they were there, the man and woman, the couple from the otherworld. They reached out for her, to hold her in their arms, but why now, why her, didn’t she not deserve this kind of love, she had not stopped to breathe, she had not even been rational. Why, why? The girl can’t even look at them.

No words, “there are no words,” she says, and he says, “Yes don’t you trust us, don’t you? We didn’t let you stay lost.”

She had not been lost all day. In fact, it started out well. This morning she had gone for a walk through the tree lined sidewalks of the neighborhood, she had gathered the star leaves off their branches, watched life holding on: the green mixing in with yellow and orange. A season turning in all that leafy rustling, the hands of time. The music at the restaurant is now making a slow, spiral ribbon up to the ceiling, she watches its shapes, grasping after them, hoping for something to hold onto.

No words, no words, but would you trade your words for freedom? But would language give meaning to experience? But that isn’t why she can see them and looks away, cowers hidden within the shaded corners of herself. Even though they still know her, hold her there with flashlight eyes…

So now the girl is sitting still, wrapped in spiraling music and the fog. And he’s still standing there in front of her, that one so tall, who she has only seen several times, and then before that only in dreams, and she does not know his name…

She starts to feel like part of her is wrapped in the fog, so far away, wants to stay there, wants to stay angry, justified, she has a right to be upset, to act like she does not deserve to see Not him, not her. But there, somewhere else, she is already straining against something large and dark, to get away, get away, and she does not actually move at all, but she turns, like a tree toward the light, and barely able to see him out of some terrified eyes, she takes his hand.

He says, it’s the first time almost that he’s ever said anything, he says, “Don’t you trust me, I got you unlost once, and I can do it again. Just let go, jump I’ll pull you through.”

And the girl is there, dumbly, still for a moment. The why whines around her mind, like a wind coiling around itself, waiting. She is holding her breath, wondering whether there will be a storm. Will the sky fall, will she fall, is she just like the sky? But the girl once survived death, quite literally, and this is something even stranger and more baffling, simple and beautiful. This is living, the wildness of truly living, it calls her to return.

She’s not sure if she’s simply no longer afraid of dying, because she’s not, Or is simply no longer terrified to leap into living. But all this goes by in a flash. She is holding his hand, she jumps.

Then a moment passes. She is in the air, is she just going to fall? Will she come apart or telescope back into herself? She wishes she wasn’t so apprehensive. Suspended between worlds, she wonders whether, if he lets go, she’ll be lost forever. But no, the moment of nothing is so very short; and then everything clears, as close as being able to see that she can remember.

The world appears sharply around her, in high definition. She is sitting next to her dad at a table, the music is so clear, the fog is all gone, the room is lighter, the people walking up and down the aisles,
are so vivid, even though she is supposed to be blind she counts every single one. She can see shadows of people across the room.

The people from the otherworld are gone. She didn’t even have time to thank them, or finally ask who they might be. She is grateful and quiet. She has always lived by, with, because of others. She does not do anything alone.

She spends a great deal of time blinking, blinking, blinking. After that, she goes with her dad out onto the floor and then the two of them are dancing.

And now she sits here in the dark, so late at night, because that’s when no one asks her any questions. And she is wondering if it is just as painful to give birth as it is to be born. Because for quite some time, several years it seems, she’s been at doing both at the same time. Neither ever, ever ends.

And all that love from the otherworld people she doesn’t know, blazing away in the dark is enough to melt all that ice away. It is enough to bring tears to her eyes, and stop her gaze for hours, not sure what to do next. But then, why focus on what could go wrong, If to them you are a flawless child, if to them you are whole, and all this talk of shortcomings just a way to make sure people fear living?

We are more worried about shining then burning out, and have all sorts of solutions and programs for failures, but are so wary of success. It would be heroic to conquer the fear of succeeding. But perhaps good enough for them if you jump anyway.

Citizens of the World

Divided only by stories and space,
Spread across oceans,
We burn to belong.

loyalty takes tributaries,
Flowing water known by many names
The direction, the destination the same,
We babble like brooks about the better ones, the one way.

Monuments to freedom tilt across borders,
Still we stand and throw obligations at each other
As if handling hot stones,
No one owning where they’ve come from.

As long as we are terrified of each other’s thoughts and hands,
We’ll search for differences to divide us.
But you are not separate, only, from a different tree,
And like a leaf, I have fallen with you.

Child, the way has not been clear,
But change aches to be made.
It whispers under every breath,
The first and the last, and those inbetween.

No wonder we hold and no wonder we long,
No wonder we gather our own,
To stall the hunger for each other.

Knotted together is the good for us,
And the good for the world.
Put your hand down. Covering your eyes is not allowed.
Neither is staring. All has its balance.

So much of our tapestry of meaning is at stake,
Its patterns woven along many dimentions,
You glimpse it just beyond these nested, sacred shelters
Where like so many birds, one day every soul will soar, fly free.

Walking the Labyrinth

I, born from the clay and carving rivers,
The star leaf and the seed,
I have seen spirit in motion, felt the breath of fire,
And known the sacredness of a smile.

I, deer’s child, wolf woman,
I have heard the world howling with abandon,
It’s body torn apart, great tapestries unwoven.

The landscape, like a weary heart, broke open,
And out of these crumbled, withered lands I have awoken,
And said the words too long unspoken.

The sweat of everyday living,
Glistens like fairy dust upon my skin.
And in this way I began,
And in this way I begin

To rebecome, transform, retrieve
The unkempt dreams I find within,
The heartbeat of the world I’m in.

Here fear no longer dries the rains,
All that impedes me is gone,
Who I am, unwilling to never make a sound:
My cries rebound across these hills.

Led toward center along a spiral way,
I am learning, reaching out to you,
Every twist and turn, the uncertainty of growing
Those living here before us whisper on the wind.

Spirits of this place who knew to balance, how to be,
Who are we, stranded on the web of life, to work our will?
Here as we are, in this moment of peace when, breathlessly,
Land stirs to hush, lies still.