Little girl next door
Screams, screams, sheds no tears … again
I’m wondering why
I Wonder Why
Little girl next door
Little girl next door
Screams, screams, sheds no tears … again
I’m wondering why
December 23, 2013
By the time I finally leave the house with Allegro and make my way to Aquatic Park to go look for what Oisín and the others have left for me there, it is around 5 PM. I certainly had no expectation of anything in return when I first agreed to make my place their own. I am still just as surprised as moved that they’d secure some kind of manifest world object for me to show their gratitude. I still know little about what is possible in the otherworld, but imagine that moving physical objects to specific locations is no small matter, and it is even possible that it would take tens to hundreds of otherworld people to accomplish such a thing depending on the size of the object. Even now, I have no idea how they did it.
The walk is quiet and uneventful. Hardly a manifest person is around. The water laps softly along its bank, the birds’ songs are muted, and the trees stand silent and resolute against the sky which is slowly darkening into ever more mysterious shades of twilight. This has always been my favorite time of day. As a child, I used to cherish my time outside when the sun’s light, glowing like ebbing flame starkly against the night’s deepening presence, revealed to me a world of image that usually was lost to me. Often, I’d stand precariously on the back of a swing in the yard, frightening my parents for sure, but too immersed in the ecstatic wonder of suddenly illuminated shapes and outlined objects to care much at all about something more earthly, like safety. Besides, I reasoned as only a six year old can, I had excellent balance. I could not as well leave this brilliant light behind just to heed adults who wished me to come inside.
As with then, the fading light fills me with a silent, quiet, wild joy and I still imagine myself laughing and leaping and flying through that light, which is filling every space around me now with its mystery. I walk through this wondrous world, tracking the shadows in the wooded areas to my left where I found the picnic table that I am trying to locate again.
An older man, who I met once before in passing and know is quite lonely, says hello to me and I ask whether he knows if I’m near the turn off to the table. I think I am, because there are lights above and beyond the brightly infused sky flashing in the trees at this spot. But finding a picnic table while offroading with a guide dog is a hit or miss project. He assures me I am in fact close by, and asks if I don’t mind some company. I look around and don’t see Oisín nearby, so I agree that we can talk for a little while.
The two of us sit across from each other as he shares some of his life with me and I listen. A half an hour goes by, and now I do see Oisín standing at the edge of the clearing. I send him a picture of the situation, and he says not to worry, he’ll stay until the stranger leaves. So finally I say to the manifest man, “I am really enjoying talking to you, but I have to meet someone now. Can I be alone?”
I briefly wonder, as there are no other manifest people within sight range to speak of, if the man might think I’ve had enough and am just trying to back out of talking to someone twice my age. Fortunately, he turns out to be happy to grant me my request for solitude without question, and doesn’t appear to be taking it personally. When he leaves, Oisín walks over to stand beside me.
“There are a great many trees around here,” he observes, “So I thought to come show you to the one I spoke of yesterday.” This is true enough. Together we walk over to a tree which is at a diagonal from where I was previously sitting.
Once I am standing in front of the tree, Oisín vanishes, presumably so I can discover for myself what he’s left there for me. I have to admit that I am now feeling a bit like a kid on a treasure hunt. No point in ignoring the curiosity of my inner child now, I decide.
Cautiously, unsure if I’m looking for something sturdy or fragile, I reach out my hand. The tree is eucalyptus, like every other of its myriad cousins in this area. But the branch my hand encounters is not only very detached from the tree, but is actually made of Oak. It is placed rather impossibly around the trunk, and to this day I haven’t been able to get anything else to stay up there. I’ve tried, I admit.
I take the branch down from the tree. It’s big! From one end to another is approximately two feet across. There is a section of branch which is just the right size to fit my hand around. Holding it there, the rest of the branch splits into two halves that arc away from each other in a kind of narrow semicircle. On each end, two twigs stem out giving the whole of it an uncanny resemblance to deer antlers.
I know the significance of deer to Oisín’s immediate family. His father, his son, and himself were all named for this animal, after all. As a totem animal, a concept from a culture which Oisín’s clan would have never known existed, deer are usually symbolic of inner gentleness and compassion, as well as protection. I mean, that can be quite true of them and everything, but deer aren’t like that all the time! They’re also wild, fiercely territorial and adaptable, resourceful, and don’t hesitate to answer to a challenge. When I have looked into Oisín’s eyes, I have seen all these things, and more of course. I for one think that if a totem is going to give insight into the spirit of a person,, it’s probably best to recognize that nonhuman animals can have natures as complicated as any human. I digress, however.
I imagine that if clan Baiscne, to whom Oisín belongs, had a family emblem, I am holding a representation of it in my hand. I have too many thoughts and feelings occurring at once. I am astonished and happy and wondering how many people it took to get this branch here—it’s so big. I am moved by how one physical object could convey so much meaning to me. If I had ever worried about being accepted, it looks like that worry is both unreasonable and I not only belong, but somehow have been accepted into Oisín’s family. This realization overwhelms me. It would be hard to believe if I weren’t holding tangible proof of it.
Equally overwhelming, however, is that, as I gaze at the branch in my hands, it seems to emit a soft, continuous glow, as if the very wood could radiate that divine spark at the heart of itself out into the changing clay world. This is all quite enough to take in, so I do what I usually do when I have more energy than I know what to do with: I choose a direction and take off. Full of a wild inexplicable joy that seems to suddenly come upon me, I gather up Allegro and we walk so fast that we are practically running. I’ve never run with a flashlight, having never had the need for one, but the blazing light around the antlered branch in my hand illuminates the night, casting bright shapes across the landscape. Sometimes, when I look through the middle where the branch splits in two, I feel like I am almost catching someone’s eye. I definitely do not feel like I am walking alone. There are no manifest people in the park at the moment. Somehow everything around us holds still, while we, myself and what feels like many who I cannot see but seem to be with me, traverse the trail back to my apartment. I, or perhaps we, make it home in record time, and the whole return journey has oddly felt effortless.
Once I walk through the door into the kitchen, I carefully set the branch down while I go get a vase from above the refrigerator to place it in. This is not because it needs to be placed in water, but just because I can’t think of another way to make sure it won’t fall or get broken. I’m trying to grab a glass vase precariously from a cupboard which is slightly too high for me to actually reach safely. But I’m in a great mood and not alone. This means I’m determined to attempt to accomplish what I’m aiming to do successfully, since I feel I can do just about anything at the moment.
“Don’t do that, you’ll get yourself hurt,” someone is saying with concern, and when I turn around I see Oisin standing behind me.
“You think so?” I ask cautiously, “I think I can reach up there. I’ve done it once or twice before.”
“Well, it’s not a great idea for what you are aiming to do at the moment. Are you sure you are not actually trying to do something again beyond your limits to prove to yourself that you are worthy of our company?” Oisín asks, challenging me with his compassionate, yet wildly fierce eyes. “We want you safe, child.”
Is that what I was really trying to do, I ask myself a bit reluctantly? Well, okay, yes that was a substantial if far from explicit part of my motivation. It would be too awkward and self-defeating to deceive myself into thinking otherwise.
“Thanks,” I say, and grab a chair from the kitchen table to stand on. The particular vase I need, it turns out, is behind a bunch of other smaller vases and would have been impossible to grab from my earlier vantage point on the floor. I am growing, even now, but I just have to remember that won’t translate into physical height.
The antlered branch is still shining with otherworldly light where I’ve placed it on the counter. It’s amazing in its own right, but perhaps more, well, awesome still is that I have become like family to Oisín and the fianna. I am trying to integrate this into my world and it’s happening very slowly. Attempting to sort out my thoughts, one in particular suddenly comes unbidden into the forefront of my mind. Is it possible, the thought interjects, that I have always been a part of this family and just don’t know it for certain yet? How else to explain why I’ve felt like Oisín is a long lost grandfather? Why else does he call me child? But I can’t even entertain the idea. I almost desperately shove the thought out of my head so that I don’t have to possibly face another instance in so many days of my beliefs being turned upside down.
So instead, I turn to Oisín to thank him properly. In response, he simply fills the room with light. We are, I realize, speaking without words. And in the silence there is understanding, of what is, which words don’t ever seem to capture adequately. I’m glad that I can let go of trying to put everything into language and can communicate through wordlessness. This wordlessness is, I am beginning to realize, the grammar of being, it is why silence is intelligent, and how existence speaks for itself.
If not everything is to be lost,
There must be dreamers and their children,
To create new journeys,
And hold a flame up to what is not worth keeping.
The sparks dance, create the light,
Defiant and full of wakefulness, \
Softly, echoing as many voices.
And in the fire shapes shift, envisioned new.
One day when I have a child of my own,
I will wrap her in a blanket of journeys,
Singing to her the song of sea and stars,
Of all things wild and free, where she belongs.
With the strength left by the wild eyes of those gone before,
Flickering still from behind my own eyes,
Fiercely I will challenge the old sorrows that might find her,
And in quiet joy and patient wonder,
I will walk with her into what is to come.
*I wrote this after learning that my very close friend is expecting her first child.*
Change comes, in little packets of seasons. Each time one opens, it adds flavor to the landscape; salty or sweet depending on its mood. When I become the landscape, feet take on new importance to me. When I get stepped on, my rhythms stop, and I lie still like an ocean without an undertow. There will always be a landscape.
Sometimes, it is easy to sculpt like sandcastles peaking out from under grain, as close as the distance between two hands. Sometimes on a distant shore, I awake not knowing where I am, and wander for days until I find a river to trace back to my beginnings. When I arrive the terrain changes, takes on more mass, perhaps. It moves slower than I do and knows more than me. What it knows it cannot tell me, although I can always find it in myself.
I am standing with the trees. I am grounded under them. I am flying above them, carried by my wings. The wings are actually made of thread, and I fly because I will do anything to be a light beam.
I have a country all my own, full of particles with particular personalities. They don’t have good resonance, but their echoes do. There is always something falling—a leaf, a broken wing—and always feet first. Whenever I land on my feet, I assume I’m a child. Whenever I land on my feet, I am forced to remember that I have grown up.
I have never built a cocoon. I am somewhere between larva and butterfly, but don’t know how I got here. The people in this country never wanted me to change: they carved their hands into me so I couldn’t own my body, or my words. There are other children like me inhabiting this country who scatter like particles with no freedom to harmonize. Chaos is white in particles and dark purple in children. Children are purple because they have to hold their voices in like breaths, and lose life quickly. As a child who loved purple, I could never make sense of the world I was born into or why no one sees the signs that guide them back to their own voices.
Silences I think are clearer compared to reverberation and those haunting echoes that make me cry. If silence covers the land, words hand over their meanings and get sentenced to periods where they’re locked up in capitols—no rights are stated. Laughter dwindles into nothingness. Nothing always conceives water that forms its own music, breaking down silences.
Even the leaves and the dirt they become have voices. The voices echo throughout the labyrinth under the landscape where I found my string and wound my way to where I could skip like shale, though fragile, to the water’s surface. Somewhere under the water, there is the original source I would like to touch.
Whatever home I once shared, no one treads water like I do. I am your wanderer, that is clear; I have built myself from the cores of trees and the hold-fasts of the ocean floor. I have made myself walk through narrows, because I can find footing best. I can climb and crawl anywhere, I can get lost in a free world. I wove a rope from the string and tensioned my way all the way up the mountain to look down. There is only one mountain here and it lessens every time I climb it. Someday it will be a pebble glistening red on the sand.
I have been, in most conditions, a gray wolf, compact and wild, fiercely maintaining my territory. I defend my people, too. I am with people, but I have no people. For most of my life I have been left alone, making my way like a nomad across these fields.
Time feels as though it is being measured by the clock in someone else’s reference frame. Moments whiz by like lightning bugs; I cringe in a corner knowing I will be next. I am always last. I get dizzy waiting, standing still, so I go fast, dance until the wind carries me, and I catch light beams in my hands.
Why is it so hard to learn to trust again? I fought for my hand and my words and my steps, I fought for I have been trod down, I fought to move the figures in my head, I figured the objects would love me so much more that they’d give me a guide to worldmaking. I thought I could trace the contours of concavity, fill closed loops like smiles, use my hand to signal direction. I thought my hands became my eyes, that I would know even though this and that stand in the way.
I strain to hold my neglected child, I know I do not know, and I am lost, crying for you, flat on the floor with my hands stretched out flat against gravity, and fields and fields away from where I first met you. I must come to terms with my own darkness. How much have I given up to seek a definitive? Perhaps every object I ever loved will let me go. I am reaching for edges to grasp what it is to break out of a circle.
I am always looking for the center and never find it. I am the center. The words come to me. They wait in lines to begin their journey across steppes and cliffs and wetlands, many meters, and eventually home. When I reflect, I mirror the shadows. Darkness is just the absence of light.
To fill the silence that follows, I twine color through my songs, remember what I lost, and how to find it again. The truth is like a sphere, like parabolas and sine waves, like music and friendship—simple and everywhere. In wonder I reach out my hand, for myself, on my own. And light has been worth the destruction of every shadow; this is another way to find the center of it all.
I lift my song by hand and it shimmers through my hair like burgundy, comes out clean. I am usually alone, though you are welcome to find me here. You are welcome to experience everything, live with me in the peaks and troughs, mountains, and valleys of long incantations. In the place where answers are questioned, where silence speaks, where space is woven through our belonging and we have never left each other, you may fly between the chords. And home is what happens when you no longer throw yourself into living as if it’s a thing to chase after or prove you can hold, and just let go. I let go, I let go, I am found again.
Last night I rocked you in my arms,
To the rhythm of the question which I ask with every heartbeat, why?
Did I think silence would answer me,
When I wondered aloud whether it was my fault?
Into the darkness you fell and could not rise,
Covered by a blanket of night without stars,
So do I run after you like a spark,
Or leave you behind without a word?
Crawling under the curtain between worlds,
Passed the water drip of time,
As if I could find within myself, still breathing,
You buried within the hollow hills of grieving.
Unable to defend your small fragile body,
You cry out for shelter, you almost died crying.
I am unable to notice the hands that reach out,
Convinced that, as before, my tears will banish me.
The infant with your perfect eyes and hands,
How can I conceive of you as my beginning?
If I was stronger, perhaps I could recover your memory,
But like an island, uncoordinated, that has lost it’s place within its map,
I wandered off into the mist, directionless,
And lost myself beneath the waves.
What am I doing here,
Convinced I don’t deserve the sunrise I won’t see?
How will I love, accept, and mend
The imperfect pieces left to me?
Again I will water the seeds of our growing,
Despite my anger, in knowing it is most likely too late.
Because I tried to heal
But merely broke apart, revealing
Sleepless dreams I tried to hide,
Someone else’s hope, so long ago denied.
Before giving into my unknowing
Of where, and if at all, I’ll stand,
I return your bright six-month-old smile
That has not yet known the cruelties of the world.
Faced with what I could have, ought to have been,
Our eyes lock and then
I let go, the girl who lived,
In relief, great tides, wash over me.
And so I shout a reckless challenge to the wind,
From a place that has no name, what might become of me I just don’t care,
I stare into the face of death until it blinks,
And I know now we do not die, there is nothing left to fear
For the sight child who never woke up,
I return for who I was, ever safely keep you near.
And now, once more in sunlight, though we did not travel far,
Dear child open your eyes, awaken to all you are.
Bright sun dances on the road
Ahead a mother and child
Such a strange cry the child makes
Low and hushed as if he dare not
Teadering on the threshold of silence
Mama, don’t leave me alone
Don’t leave me alone mama
Leave me alone, mama don’t
Over and over in broken echo
Mama says you don’t want to come with me?
Mama says there will be no watching later.
Child cries hesitate before droning on without conviction
No more watching. Does she mean the child,
Nno watching the child
Cries, child’s echoing cries over, over
Three times I stopped along my way and turned
Three times wondering, hoping to do more
Three times I looked back, knowing I couldn’t see
And I could never be sure, no sure thing
Surely it is nothing, no thing except such a strange cry the child makes
One final time to turn to them
Mother and child, send love to them
Love the child, and would he recognize it,
Mother’s love for a child
One eternal moment I love the child
I walk home
I move on, walk the fading cries of a child
Dissipating fragments on the wind