I step off the large tour bus. Mom, very tired, stands to my left. In front of us the hill of Tara rises, and even closer than that, clumps of tourists, families and groups of friends, mill about. We are an odd blending of strangers and companions, all with stories of our own, dropped here from around the world to visit, for all our myriad of reasons, a part of our heritage.

It is a beautiful summer afternoon, the sun shines radiant but unobtrusively through the clear, blue sky, its rays dancing a compromise on the cool breeze, as if seeking, in midfall, to defer deferentially to already ensconced patches of shade.

A cacophony of conversation drifts up the hill over endless neatly mowed grass. Grass? At Tara? When did this happen? The question intrudes on my thoughts and I’m not sure who it’s from. All I know is that, when I was here before long ago, the place was mostly dirt, and grass in the form of neatly kept lawn was conspicuously absent.

To see the place once more, but without eyes, haunts me, taunts me with visions which will remain unconfirmed, cheating me out of an intimacy I once shared. I can walk but cannot trace the contours of the landscape with my eyes, and for a moment I am grief stricken, like someone who can behold but never touch the one she loves.

The metal gate would have been absent of course. so would the bus that dwarfed the distances I might have once traveled by foot. Would I recognize those footpaths now, or would they be permanently lost to me, covered over by time and transformation, deforestation, and fresh green grass? I have little time to ponder, for now the woman with the calm, high voice who will be our guide for the next hour issues us through the gate and we begin our ascent.

Part of me recognizes what I am doing as quite normal and routine, exactly the kind of sequence of events that occurs during a mass tour of an ancient site. And we had had no choice about the large tour group, either. Our trip to Tara is part of a larger tour of the Boinne Valley, including Newgrange, which we visited earlier. The neolithic stones are only accessible through booking a tour with the visitor’s center. What else might I have expected?

The answer comes unbidden to me, unannounced, almost a surprise. For we entered Tara without challenge or ordeal, no statements of pedigree, degree and right, status or reason for business. And I remembered, from somewhere deep within, how such a display of worthiness was required if a person wished to even remotely be considered for the welcoming. And here we are, without trial or travail. My surprise, I realize, is not at the details of the memory, but my unnerving feeling of culture shock.

And “Now watch your step,” warns our vigilant tour guide, in a tone of voice that conveys her desire to avoid a repeat of some prior mishap. “The grass is slippery and wet, and the ground is uneven.”

Of course it is, I think to myself. The first thing I notice, with a pang of sadness, is the absence of the great wall. The open grassland unsettles me, any trace of a protective embrace now long since eroded away. We walk past two stones, which our guide explains are all that remain of an ancient rite of kingship. It was said that these stones were placed a specific distance apart, and that a potential king would only be allowed onto further initiations if he could drive a chariot between the stones without touching them. I felt the two stones, the aspiring king would have had to be very skilled indeed to accomplish the challenge.

I am grateful when mom is too tired to walk with the rest of the group, and we fall behind. I need distance, and badly. Besides our feet upon the now grassy earth and the birds chattering in sporadic song, the occasional caught phrase from a fellow tourist up ahead, the wind whispering its opinion now and again in low, hushed tones – the place is silent, silent.

No one lives here. No horses whinny impatiently in a stable, no king’s servants hurry by with provisions, wash buckets, hay bundles, or cooking pots. No last minute commotion to repair a building. No children hollering and playing in the dirt. No pits for fires, no conclaves of brehons, no bards with their harps, no druids preparing the ceremonies of Samhain. No shouts from the now absent walls. No buildings in fact, except for a church, constructed in 1822.

It’s a very interesting church, but while I am appreciating its existence and contribution to the long history of this place, I am left grappling with the elusive transience of uncertainty forged through the passage of time. Time and its remnants seem to emanate from this place from every age, from the stone age to the present, clambering for their own share of loyalty, of recognition, of honor. In the midst of the iconic passage tombs with their transparent mystery, the allure of the Christian era crossing the minds of those from the middle ages to modernity, casting its shadows over the past, Tara from the second century CE seems to have fallen into obscurity. To the hand or the eye mapping the surface, the time I walked this world as Mairin is almost forgotten, or else shrouded in the misunderstandings and messiness of myth.

We walk on. My feet take to the landscape almost effortlessly. True to our guide’s word, the ground is quite uneven and slippery. Mom stumbles, and instantly I catch her fall, perfectly poised on the ridge of a dip in the landscape. Farther on she trips again. Again, I compensate without thinking, immediately placing us solidly on the furrowed plane of the hill. “Don’t worry, this is what sighted guide is for,” I joke, grinning at her, “So that I can ensure you don’t lose your balance.”

We laugh. “You’re doing pretty well,” she admits and I wonder, should I tell her that I am fairly convinced that I know my way around?

I decide against it. Mom is pretty tired after all and I feel she might need a break from conversation: she’s been describing landscapes and standing stones to me all day. Besides, I don’t know where my brothers are, and if either of them overhear, I’ll be hard pressed for a decent explanation. In fact, I’ve yet to figure out an adequate explanation that satisfies myself, though I can feel myself teasing out the story from my bones, as if patiently completing a one thousand piece puzzle.

Just before we crest the top of the hill, it is plain to me that I do in fact have some sort of instinctual memory of the place. Toward the top is a very steep portion, and forgetting mom’s fatigue, I bound up the steep incline like a dear in the dark, slowing down only because I am still holding onto mom’s arm, and I can’t as well drag her with me.

I want, so badly want, to run, to race up the rest of the hill, then race down again, several times, until I’ve exhausted myself. But I don’t have Allegro or my cane with me, and I can’t run with a cane anyway, doing so is the equivalent of sprinting with a big stick, and that has other potentially hazardous consequences (usually for other people.)

So I do the next best thing, what I have always done when I long to be able to move gracefully in a world that doesn’t allow that without vision: I take a moment and imagine, in vivid sensory detail, what it would be like to move fast on my own. Then I let go of the desire. I’ve done all I can with it.

Mounds within mounds. Age packed onto age. Standing atop it all at the summit, where everyone with the eyes for it are looking out over three fourths of the whole country, history sings to me from far beyond who I was, far before who I am now. As I stand, the energy of this place captivates me, courses through me, a raw reverberation of remembrances. I am centered in their radiance. As if a tree, rooted, I pull up a current of change that seems to seap out of the ground through the soles of my shoes, traveling like sap through a tree trunk, until I am not sure where the soul of the land ends and my spirit begins. That is when I remember.